A graphic memoir of Fun Home author’s lifelong love affair with exercise, set against a hilarious chronicle of contemporary fitness fads.
The Best Graphic Book of 2021 by Publishers Weekly | A New York Times Best Graphic Novel of 2021 | A New York Times Notable Book | An Autostraddle Best Queer Book of the Year | A Boston Globe Best Book of the Year | A St. Louis Post Dispatch Best Book of the Year | NPR, 12 Books NPR Staffers Loved | Shelf Awareness Best Books of 2021
Comics and cultural superstar Alison Bechdel delivers a deeply layered story of her fascination, from childhood to adulthood, with every fitness craze to come down the pike: from Jack LaLanne in the 60s (“Outlandish jumpsuit! Cantaloupe-sized guns!”) to the existential oddness of present-day spin class. Readers will see their athletic or semi-active pasts flash before their eyes through an ever-evolving panoply of running shoes, bicycles, skis, and sundry other gear. But the more Bechdel tries to improve herself, the more her self appears to be the thing in her way. She turns for enlightenment to Eastern philosophers and literary figures, including Beat writer Jack Kerouac, whose search for self-transcendence in the great outdoors appears in moving conversation with the author’s own. This gifted artist and not-getting-any-younger exerciser comes to a soulful conclusion. The secret to superhuman strength lies not in six-pack abs, but in something much less clearly defined: facing her own non-transcendent but all-important interdependence with others.
“Part of the pleasure of Bechdel’s books is the conversation she’s in with herself, all the layers: the drawings, the captions, the dialogue, the annotations of the world, the storyboards that move the narrative, the burbling monologue of her mind. This is a true delight of graphic literature, and nobody does it better.” —The New York Times Book Review
“Drawing is often seen as a cartoonist’s primary skill, but Bechdel can also really write. The various strings of her narrative are woven together in a way that feels fresh, clever and moving.” —The Sunday Times (UK)
