In these days when the old civilisation is crumbling beneath our feet, the thought of poetry crosses the mind like the dear memory of things that have long since passed away. In our passionate desire for the new era, it is difficult to refrain oneself from the commonplace practice of speculating on the effects of warfare and of prophesying all manner of novel rebirths. But it may be well for us to remember that the era which has recently closed was itself marked by a mad idealisation of all novelties. In the literary movements of the last decade —when, indeed, any movement at all has been perceptible — we have witnessed a bewildering rise and fall of methods and ideals.
