Manolis’ vibrant and radiant poems are infused by a powerful yet subtle music that resonates with the reader who revels for the vitality of the sensuous motion of the language he uses to present images structured in a mixture of Mediterranean and Canadian formats. Poems that make the reader discover the poet’s cosmos as it expands from the microcosm to the universal. Images which declare that everything vanishes as it flows through people’s fingers, yet from all these some become eternal in their wholeness, like the child’s smile which cannot be stained by life’s conditioning, the child’s smile that cannot be blemished by the adulthood’s guilt and banal everyday littleness. Manolis’ poetry stands out among his contemporaries as this poet descends from the ancient modes and exemplary structures from which he draws and which he transposes to us in his personal poetic way.
